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How can I streamline my editing process?

How can I streamline my editing process?

I think that most writers have a love/hate relationship with editing. It feels so good to see your manuscript go from a rough draft to something really polished, but at the same time, the editing process itself is painstaking and laborious.

The editing phase can feel like wandering through a maze without a map. Every writer has been there, staring at their manuscript, overwhelmed by the sheer amount of work ahead. But editing doesn’t have to be a source of stress. With the right approach, you can make your editing process both efficient and effective.

Break it down

While some writers thrive taking a do-it-all-at-once approach, this isn’t one that works for everyone. If you feel overwhelmed, you can try to divide your editing into distinct passes, each focusing on a specific aspect:

  1. Story Structure – Focus on plot, pacing, and narrative flow.
  2. Character Development – Examine character arcs and relationships.
  3. Scene Level – Look at individual scene construction and transitions.
  4. Language – Analyse word choice, clarity, and style.
  5. Technical – Look at grammar, punctuation, and formatting.

By tackling one element at a time, you’ll catch more issues and avoid feeling overwhelmed. And you also don’t need to do them back-to-back.

When I do my first editing pass, I look at only story structure and character development. After draft 2, I look at a scene level analysis, with some attention paid to language. If I need to, I’ll repeat this for as many revisions as I need, leaving a deep-dive on language and the more technical proofreading aspects until my final draft.

Create a system

No two writers write alike. Your process will be as unique to you as the writing you produce, so never take someone else’s routine as gospel or as the only “right” way to approach it.

What you will need to do is experiment. Try different things. See what works for you, and what doesn’t. Things you can try might be:

Set clear goals

Before each editing session, define what you want to accomplish. For example:

  • “Review chapters 1-3 for pacing issues.”
  • “Check all dialogue in Act 2.”
  • “Analyse character motivations in transition scenes.”

Having specific targets can help give you focus and give a sense of progress, as it’s a task that you can tick off.

Track your progress

Monitoring your progress lets you actively see what you’re accomplishing. It can be a huge motivator when you can see your manuscript start to take shape.

  • Keep a spreadsheet of completed editing tasks.
  • Use a notebook to log issues that need addressing.
  • Create checklists for common problems you want to catch.
  • Track time spent on different editing tasks to identify where you might be getting stuck.

Not only does tracking give you a way to see your progress, but it can also show which parts of editing you struggle most with and accommodate that into your routine accordingly.

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Organise visually

If you’re a visual learner, then being able to see your editing process taking shape can be a game changer. You could try to:

  • Highlight plot threads in different colours.
  • Mark scene transitions with clear breaks.
  • Flag areas that need deeper revision.
  • Use comments or sticky notes for bigger structural issues.
  • Create a colour code for different types of edits (dialogue, description, pacing, etc.).
  • Incorporate these colours into your tracking if you decide to use it.

Set a sustainable schedule

Editing can be just as time-consuming as writing (in some cases, it might be even more time consuming), so it’s important to make sure you don’t overwhelm yourself. Don’t expect your editing to be done in a week. To keep a routine that’s realistic and sustainable, you can try to:

  • Block out specific times for editing.
  • Set deadlines for completing different passes.
  • Build in buffer time for unexpected issues.
  • Schedule regular breaks to give yourself a fresh perspective.
  • Plan rewards for hitting milestones.

For me, the rewards are the biggest part of the process. I need that little serotonin bump when I finish something and give myself a treat. That can be anything from taking a break, to buying myself something. You can even involve a housemate or family member in the reward!

Keep reference materials handy

If you’re the kind of person who likes to remind yourself of the task at hand, then it can be uesful to keep reference materials or a style guide handy. This could include:

  • Your story bible or outline.
  • Character profiles.
  • Setting descriptions.
  • Style guide preferences.
  • A common error checklist.
  • Notes from previous drafts to make sure you don’t repeat mistakes.

You don’t need to have all references handy at all times. You can pick and choose what works for you, and what is important for that editing pass.

Know when to step back

Fresh eyes make better edits. If you’re tired or overwhelmed, there is absolutely no shame in stepping away. You’ll be much more productive if you approach editing when you’re not exhausted, because it’s very easy to miss things and get distracted if you’re not in the right headspace.

Make sure you take regular breaks between editing passes to maintain your perspective. And don’t be afraid to take a week or two away from your manuscript can help you return with renewed clarity. Read something else. Watch television. Just make sure you do something other than constantly working on your manuscript.

Get outside input

If you’ve done a few self-editing passes and feel you need to start polishing, you might want to look for outside help. This can take many forms. Some are free, while others will cost nothing more than your time. You’ll need to decide what is best for you. You can:

  • Share your almost-finished product with beta readers (I recommend you read this guide to get the most out of your beta readers, as they can be such a valuable resource).
  • Consider hiring a professional editor once you’ve done all you can.
  • Join a critique group for regular feedback during the drafting and editing process.
  • Find a writing partner for accountability and reciprocal labour.

Trust your instincts

Try different editing processes to see what works for you. Don’t try to force something that isn’t, and be willing to change tack if you need to. If something feels right, stick with it. If it doesn’t, let it go.

But no matter what editing process you choose to pursue, don’t aim for perfection in your first pass. Instead, focus on steady improvement through multiple editing rounds. With practice, you’ll develop a rhythm that makes editing feel less like a chore and more like a natural part of your writing journey.

About The Author

Pamela Koehne-Drube

Pamela is a freelance ghostwriter, editor, and professional historian, as well as the Writer Development and Community Lead at Novlr. She writes non-fiction and fiction works for both commercial publishers and self-published writers. With almost two decade's worth of experience in all aspects of the book trade, she loves sharing her expertise to help and inspire other writers.

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